Beware how you treat the classics. When it comes to outsiders tilting at the cathedrals of culture, true believers can go medieval in a heartbeat.
Film director Baz Luhrmann has learned this through the critical lashings applied to his amped-up version of “The Great Gatsby” (Salon’s Michael O’Hehir placed it with other “baroque, overblown, megalomaniacal spectacles”), and on a very different canvas NBC’s Rob Hyland is treading an invisible line between invention and heresy with his production of the Triple Crown events.